African music, alternative jazz and dance pop have been on the GRAMMYs ballot for decades. Now, they’re deservedly getting categories of their own.

The Recording Academy has added three new Categories: Best African Music Performance, Best Alternative Jazz Album and Best Pop Dance Recording. These new categories will be introduced at the 2024 GRAMMYs, officially known as the 66th GRAMMY Awards:

Additionally, the existing Categories of Producer Of The Year, Non-Classical and Songwriter Of The Year, Non-Classical will be moved to the General Field; this significant change will allow all GRAMMY voters to vote in these important, non-genre-specific Categories.

These Category additions and amendments were voted on and passed at the Recording Academy's most recent semiannual Board of Trustees meeting held in May 2023.

"The Recording Academy is proud to announce these latest Category changes to our Awards process. These changes reflect our commitment to actively listen and respond to the feedback from our music community, accurately represent a diverse range of relevant musical genres, and stay aligned with the ever-evolving musical landscape," Recording Academy CEO Harvey Mason jr. said.

"By introducing these three new categories, we are able to acknowledge and appreciate a broader array of artists - and relocating the Producer Of the Year and Songwriter Of The Year categories to the General Field ensures that all our voters can participate in recognizing excellence in these fields,” Mason continued. “We are excited to honor and celebrate the creators and recordings in these categories, while also exposing a wider range of music to fans worldwide."

Here’s a breakdown of the three new GRAMMY Award Categories:

Best African Music Performance

A track and singles Category that recognizes recordings that utilize unique local expressions from across the African continent. Highlighting regional melodic, harmonic and rhythmic musical traditions, the Category includes but is not limited to the Afrobeat, Afro-fusion, Afro Pop, Afrobeats, Alte, Amapiano, Bongo Flava, Genge, Kizomba, Chimurenga, High Life, Fuji, Kwassa, Ndombolo, Mapouka, Ghanaian Drill, Afro-House, South African Hip-Hop, and Ethio Jazz genres.

Read More: Love Burna Boy & Wizkid? Listen To These 5 African Genres

Best Pop Dance Recording

Recognizes tracks and singles that feature up-tempo, danceable music that follows a pop arrangement. Eligible Pop Dance recordings also feature strong rhythmic beats and significant electronic-based instruments with an emphasis on the vocal performance, melody and hooks. Dance remixes are eligible in the Best Remixed Recording Category only and may not be entered in Best Pop Dance Recording.

Best Alternative Jazz Album

This Category recognizes artistic excellence in Alternative Jazz albums by individuals, duos and groups/ensembles, with or without vocals. Alternative Jazz may be defined as a genre-blending, envelope-pushing hybrid that mixes jazz (improvisation, interaction, harmony, rhythm, arrangements, composition, and style) with other genres, including R&B, Hip-Hop, Classical, Contemporary Improvisation, Experimental, Pop, Rap, Electronic/Dance music, and/or Spoken Word. It may also include the contemporary production techniques/instrumentation associated with other genres.

The Recording Academy accepts proposals from members of the music community throughout the year. The Awards & Nominations Committee, composed of Academy Voting Members of diverse genres and backgrounds, meets annually to review proposals to update Awards categories, procedures and eligibility guidelines.

The Recording Academy is thrilled about these important developments to be debuted at the 2024 GRAMMYs. Keep watching this space for more information about Music’s Biggest Night!

2023 GRAMMY Nominations: See The Complete Winners & Nominees List

For decades, African music, alternative jazz and dance pop have been nominated for — and winning — GRAMMYs. Now, the Recording Academy is celebrating these impactful sounds like never before.

As announced today, three new categories have been added to Music's Biggest Night: Best African Music Performance, Best Alternative Jazz Album and Best Pop Dance Recording. They will be awarded for the first time ever at the 2024 GRAMMYs, officially known as the 66th GRAMMY Awards.

The initiation of these three categories is far from a technicality; it amounts to a watershed moment for the Recording Academy and the GRAMMY Awards. And as with all category additions and amendments at the GRAMMYs, changes like these open up the prospect of GRAMMY wins and nominations to artists from a multitude of backgrounds and across more genres.

Here are four reasons you should be excited about these new categories and changes at the 2024 GRAMMYs.

Popular Music Owes Everything To Africa

If you like rock, hip-hop, blues, jazz, folk music, bluegrass … really, just about every form of American music, then you have the genius of Africa to thank.

Historically, the Best Global Music Album and Best Global Music Performance GRAMMY categories have nominated and awarded African music and artists. Now, the creation of Best African Music Performance category will amplify and expand the reach of African music and its creators.

As recently announced, the Best African Music Performance category "includes but is not limited to the Afrobeat, Afro-fusion, Afro Pop, Afrobeats, Alte, Amapiano, Bongo Flava, Genge, Kizomba, Chimurenga, High Life, Fuji, Kwassa, Ndombolo, Mapouka, Ghanaian Drill, Afro-House, South African Hip-Hop, and Ethio Jazz genres, making this newly announced, exciting category a far-reaching and all-encompassing award.

Which of these distinct sounds will be represented on the first-ever Best African Music Performance nominees list? Watch this space to find out.

Read More: Love Burna Boy & Wizkid? Listen To These 5 African Genres

Crossover Jazz Is Exploding — And The GRAMMYs Reflect This

From The Comet is Coming to Georgia Anne Muldrow to Kassa Overall, jazz artists are increasingly exploring the music's common ground with hip-hop, soul, experimental music, and any number of other genres. As artists continue to expand and experiment within and beyond the genre, jazz remains an evolving sound. A huge win for forward-thinking, genre-straddling jazz artists of all stripes, the newly announced Best Alternative Jazz Album is a reflection of this ever-growing landscape and dynamic sound.

Read More: Samara Joy Won Best New Artist At The 2023 GRAMMYs. What Could It Mean For The Wider Jazz Community?

Dance & Pop Have Long Been Deeply Intertwined

From Beyoncé to Lady Gaga, pop titans have been incorporating elements of dance and electronic music for decades. Now, there's a new, and essential, category that reflects the convergence between these two genres.

As the official Recording Academy statement describes, the new Best Pop Dance Recording category "recognizes tracks and singles that feature up-tempo, danceable music that follows a pop arrangement."

If this kicks up questions about remixes in the dance and electronic landscape, the Academy's got that covered: Dance remixes will continue to live in the Best Remixed Recording category.

All GRAMMY Voters Can Now Vote In The Producer Of The Year and Songwriter Of The Year Categories

In addition to the newly announced GRAMMY categories, the Recording Academy also announced major changes to the General Field categories: Starting at the 2024 GRAMMYs, the Producer Of The Year, Non-Classical and Songwriter Of The Year, Non-Classical categories will be moved to the General Field. This major change now allows all GRAMMY voters the ability to vote in these widely celebrated, non-genre-specific categories.

A reflection of the Academy's commitment to "actively listen and respond to the feedback from our music community" and "stay aligned with the ever-evolving musical landscape," according to Recording Academy CEO Harvey Mason jr., this move ensures that all GRAMMY voters can participate in recognizing excellence in these definitive categories, further expanding representation and participation in these categories.

At the 2023 GRAMMYs, the Recording Academy introduced the Songwriter Of The Year, Non-Classical category; Tobias Jesso Jr. made history by becoming the first-ever GRAMMY winner of that award.

Keep checking GRAMMY.com for more news and updates about the 2024 GRAMMYs!

Three New Categories Added For The 2024 GRAMMYs: Best African Music Performance, Best Alternative Jazz Album & Best Pop Dance Recording

Today, the Recording Academy and GRAMMY Museum have announced a total of 212 music teachers as quarterfinalists for the 2024 Music Educator Award, which recognizes current educators — kindergarten through college across public and private schools — who have made a significant and lasting contribution to the field of music education and who demonstrate a commitment to the broader cause of maintaining music education in the schools. The quarterfinalists, who hail from 197 cities, were selected from more than 2,000 initial submitted nominations. In addition to the quarterfinalists, 123 legacy applicants from 2023 will also be eligible to win the Music Educator Award this year.

Semi-finalists for the 2024 Music Educator Award will be announced this September. The ultimate recipient will be recognized during GRAMMY Week 2024.

Read More: Meet The 2023 Music Educator Award Recipient: How Pamela Dawson Helps Her Students Achieve Healing And Catharsis

A joint partnership and presentation between the Recording Academy and GRAMMY Museum, the Music Educator Award is open to current U.S. music teachers, and anyone can nominate a teacher — students, parents, friends, colleagues, community members, school deans, and administrators. Teachers are also able to nominate themselves, and nominated teachers are notified and invited to fill out an application.

Each year, one recipient is selected from 10 finalists and recognized for their remarkable impact on students' lives. The 10th annual honoree will be flown to Los Angeles to attend the 2024 GRAMMYs, officially known as the 66th GRAMMY Awards, as well as a range of GRAMMY Week events. The nine additional finalists will receive a $1,000 honorarium, and the schools of all 10 finalists will receive matching grants. Fifteen semi-finalists will receive a $500 honorarium with matching school grants.

Read More: 8 Artists Who Were Inspired By Their Teachers: Rihanna, Adele, Jay-Z & More

The matching grants provided to the schools are made possible by the generosity and support of the GRAMMY Museum’s Education Champion Ford Motor Company Fund. In addition, the American Choral Directors Association, National Association for Music Education, NAMM Foundation, and National Education Association support this program through outreach to their constituencies.

Learn more about the Music Educator Award.

See the full list of the 2024 Music Educator Award quarterfinalists and legacy applicants below:

2024 MUSIC EDUCATOR AWARD QUARTERFINALISTS

2024 MUSIC EDUCATOR AWARD LEGACY APPLICANTS

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The 60-plus years of the GRAMMY Awards encompasses some of the most awe-inspiring and breathtaking moments in music history — and it should be noted that queer performers have produced some of the most dazzling highlights. From Elton John’s 1999 GRAMMY Legend Award to Sam Smith and Kim Petras’ 2023 performance of "Unholy," there is no shortage of iconic queer moments in GRAMMY history.

But more than merely honoring and showcasing queer artists, the ceremony is also the only major award to have moved beyond the outdated gender binary in its categories, an important step in ensuring that every artist feels welcomed. And as queer stars continue to deliver stunning performances in addition to award wins on Music's Biggest Night, young artists have meaningful representation and inspiration. 

​​In celebration of Pride Month, GRAMMY.com has collected nine of the most meaningful and thrilling performances by queer artists from the ceremony’s history. These moments commemorate some of the most impressive artists of the last few decades and helped uplift members of the LGBTIQA+ community around the world. 

Elton John & The Backstreet Boys - "Philadelphia Freedom" (2000)

When one LGBTIQA+ icon writes a song that honors another queer trailblazer, it’s bound to make for a special moment on stage. 

Performed at the 42nd GRAMMY Awards — the same night the Rocket Man was honored as MusiCares Person Of The Year, and a year after taking home the Legend Award — Elton John performed the bright and swinging "Philadelphia Freedom." With backing from the Backstreet Boys, the performance filled the room with sunshine.

The song was inspired by John’s close friend, tennis icon Billie Jean King. His piano flanked by the five Boys, John delivers a rollicking take on the number one hit, the mythic megastar in top form from every swaggery vocal growl to each thumping piano chord.

Melissa Etheridge & Joss Stone - "Piece Of My Heart" (2005)

Melissa Etheridge has always been an incredibly vulnerable artist, but when she walked onto the stage during the 47th GRAMMY Awards, her head bald due to chemotherapy treatment for breast cancer, her legend of raw strength reached a new level. 

A loving grin plastered on her face and chopping out an explosive guitar riff, Etheridge didn’t waste a second, joining soul pop star Joss Stone for a tribute to queer icon Janis Joplin. Every syllable of "Piece of My Heart" coming out of Etheridge’s mouth shines sharply like a rough-cut gem, but her explosive howl as the song comes to its climax is the stuff of legend. 

The fact that Etheridge made it through her cancer treatment and can still rock stages to this day is only further testament to just how powerful this moment of defiance turned out to be.

Lady Gaga - "Born This Way" (2011)

While the conversation surrounding Lady Gaga’s early ‘10s award ceremony run will always center on her extravagant and boundary-pushing attire and stagecraft, she made sure to put her queer advocacy at full volume during her take on "Born This Way." 

Sure, she entered the 53rd GRAMMY Awards in an egg and took time in her performance to play a snippet of Bach made famous in "The Phantom of the Opera" on a keyboard topped with mannequin heads. But in the very next moment, she ensured that the whole track slowed to a righteous halt to deliver a core message: "No matter gay, straight or bi/lesbian, transgender life/ I’m on the right track/ I was born to survive." 

The white latex and space egg are important, but Lady Gaga wants to make sure you understand that the art is all in support of a message of inclusion, that stripped down to our strangest basics we’re all human.

Frank Ocean - "Forrest Gump" (2013)

Frank Ocean has proven to be one of the most mercurial stars in R&B, releasing just two studio albums since 2011 despite some of the most rabid anticipation in the music world. His changed plans, canceled performances, and vague updates only fuel that fire — but it’s performances like "Forrest Gump" that encapsulate that whole fandom experience. 

The 55th Grammy Awards were a big night for Ocean, with six nominations and two golden gramophones coming his way, but his tender, raw love song was perhaps the most memorable of a night full of impressive tributes and star power. Homosexual love songs don’t get televised too often, and that’s what "Forrest Gump" is: pure, unabashed and straightforward; a young, mesmerizing vocalist and songwriter laid bare, playing a keyboard and backed by a video screen. There’s nothing to distract from his voice and his words: "You run my mind, boy/ Running on my mind, boy/ Forrest Gump."

Macklemore, Ryan Lewis, Mary Lambert, Madonna & Queen Latifah - "Same Love/Open Your Heart" (2014)

There may not be a bigger performance of queer love in awards history than Macklemore and Ryan Lewis’ elaborate staging of "Same Love" from the 56th GRAMMYs. Their performance of the anthem included lesbian vocalist Mary Lambert and queer icon Madonna — oh, and Queen Latifah literally overseeing marriage ceremonies for 33 couples of varying sexual identities and orientations, when same-sex marriage hadn’t yet been federally recognized. 

Macklemore and Lewis won big at the ceremony, thanks in large part to inescapable upbeat hip-hop like "Thrift Shop" and "Can't Hold Us." But instead of getting everyone in the room with some easy fun, the duo opted for "Same Love" — a track in support of marriage equality and a protest to a tendency towards homophobia in the genre. Together, they provided a powerful statement of acceptance and love that surely opened eyes for audiences around the world.

Kesha, Camilla Cabello, Cyndi Lauper, Julia Michaels, Andra Day, and Bebe Rexha - "Praying" (2018)

The whole world was changing for Kesha on the runup to the 60th GRAMMY Awards. After years of struggle against her alleged abuser and an attempt to fully reclaim her career and life, she had not only taken powerful steps in that direction — she was doing so on Music's Biggest Night. 

Her new album, Rainbow, had netted two nominations, and she was asked to perform. She opted for "Praying" (co-written by Ryan Lewis), a paean to the power of change and hope, even in the darkest hours. Surrounded by a cadre of powerful women and clad in white and embroidery of blooming flowers, Kesha’s performance shows a moment of new life and transformation, an inspirational moment that continues to grow with promise of even more new music.

Janelle Monáe - "Make Me Feel" (2019)

Janelle Monáe’s performance at the 61st GRAMMY Awards felt like a celebration of her quest to share her truest self. During a performance of the sensual, stylized, sci-fi epic take on "Make Me Feel," Monáe incorporated snippets of other Dirty Computer highlights into the breakdown — including the line "let the vagina have a monologue" from "Pynk" (probably the first time that request had been made on the GRAMMYs stage). 

Her black-and-white clad synchronized backup dancers gave shades of Robert Palmer, but Prince (another Black icon comfortable in gender-fluidity) was the true touchstone. But that’s in no way to say that Monáe is anything but an unparalleled icon of her own, whether on the guitar, in her dance steps, or on the mic.

Lil Nas X - "Dead Right Now"/"Montero (Call Me By Your Name)"/"Industry Baby" (2022)

After years of controversy and criticism (notably from talking heads and members of the public who had or would not listen to his music), Lil Nas X’s performance at the 65th GRAMMY Awards had a real sense of catharsis. 

Not that the Georgia-born rapper necessarily needed it — he’s proven plenty capable of pushing back and insisting on his identity on the daily, in social media and interviews. Still, the wide range of styles (both musical and visual) and performance versatility on display that evening felt special. His interstellar take on "Dead Right Now" proved he was capable of rising above all the noise; the hip-swiveling dazzle of "Montero (Call Me By Your Name)" showed he was unafraid to show his sensual side; and the stomp-along "Industry Baby" (complete with an appearance from Jack Harlow) demonstrated that Lil Nas X is just flat-out one of the most exciting vocal talents in hip-hop.

Kim Petras and Sam Smith - "Unholy" (2023)

Trans representation on the GRAMMYs stage took a big step forward at the most recent ceremony, thanks to Kim Petras. Not only did the German-born pop star become the first openly trans woman to win a GRAMMY Award, but her blistering performance of "Unholy" with Sam Smith likely ignited more than a little bit of inspiration, intensity, and passion in the viewing audience. 

Cast in a red glow, the duo embraced the fires of lust, Petras playing the fiery cage dancer to Smith’s devilish ringmaster. Every second of the performance dripped with sweat and sex, refusing to bow to any expectation or censure, Petras humping a corner of the cage as Smith gyrated around a cane. The smoking hot fever dream more than earned the FCC complaints and the zealous fans who went on to devour more of Smith and Petras’ music. 

Listen To GRAMMY.com's LGBTQIA+ Pride Month 2023 Playlist Featuring Demi Lovato, Sam Smith, Kim Petras, Frank Ocean, Omar Apollo & More

On "better," Cavetown details the bittersweet feeling of making positive life changes, yet still feeling sad. And the most heartbreaking part: he now knows he' may be incapable of making the person he loves happy.

"And I just really wish I didn't have to lie to you/ Start crying in my room/ I wanna be someone who you feel better around/ But I don't know if I can get better for you," he sings in the track's first verse.

In this episode of Global Spin, Cavetown delivers an emotive performance of "better." Live from his home studio, he performs the song with only an electric guitar, amplifying the intimacy of the lyrics.

"Better" is a B-side from Cavetown's latest album, worm food, which vulnerably discusses the British singer's struggles with mental health and his internal monologue in love.

This June, he began his international tour through Europe and the United States. Proceeds from ticket sales and select merchandise will be donated to This Is Home, Cavetown's project that provides funding to foundations to support LGBTQ+ youth in need.

Click on the video above to watch Cavetown's tear-jerking performance of "better," and check back to GRAMMY.com for more new episodes of Global Spin.

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